The Cigale bag takes its name from the dress by Christian Dior (Credit: Dior)
The Cigale bag takes its name from the dress by Christian Dior.Photo: Dior

How do you reinvent a classic? Some ideas here, but for Loewe’s new creative directors, Jack McCollough and Lazaro Hernandez, the answer was to return to its roots. The Amazona 180 retains its iconic boxy shape while introducing a modern slouch at the front, revealing a new double L logo that defines the brand across all categories.

Credit: Loewe
Photo: Loewe

As with all things Loewe, its craftsmanship is exceptional—a specially developed calfskin provides structure without sacrificing the bag’s supple, relaxed shape and that signature droop. This playful twist on a classic look sets the tone for a season defined by bags that feel both considered and effortless.

Credit: Dior
Photo: Dior

That spirit carries through to Dior, where the Cigale arrives as the first Jonathan Anderson bag for the house and already feels like a modern take on the Lady Dior. It takes its name from the Cigale dress by Christian Dior, known for its fit-and-flare silhouette and dramatic pleats, and the bag’s clean, sculptural lines reflect that influence.

The single top handle design tips forward, with a small bow detail that draws the eye. This motif extends to a wider range of Bow bags, nodding to the house’s couture heritage, while Dior’s logo is subtly worked into the eyelet, a small detail that’s playful, irreverent, and distinctly current.

Credit: Balenciaga
Photo: Balenciaga

At Balenciaga, Pierpaolo Piccioli brings his own brand of quiet beauty to the Rodeo. Not entirely new, but meaningfully refreshed for Spring/Summer 2026, the mini model retains
its signature drooping front pocket and comes in various finishes, including suede, smooth, and distressed calfskin. The version here carries delicate floral embellishments that reflect Balenciaga’s couture legacy and craftsmanship in the prettiest bubblegum pink.

Credit: Fendi
Photo: Fendi

And then there is Fendi, where the Way feels like the natural conclusion to this story. Like the Peekaboo before it (the original droop), the Way has an easy, slightly open front: relaxed, a bit undone, but still entirely put together.

Designed for the contemporary woman and favouring ease over excess, its trapezoid shape strips everything back, allowing the materials to stand out. Think smooth calfskin on the outside and suede on the inside, with unexpected pops of colour. This is luxury turned inwards. Something to be felt, lived with, and enjoyed by the wearer, wherever the day may lead.

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